Saturday, December 20, 2008
The Massive Calm
Painting exhibition by Samira Eskandarfar
26th - 31st Dec, 2008.
visiting hours : 16 - 20 p.m.
No. 41 Fatemi Sq. Golha sq. Salmas sq. Tehran Iran,
Tel: +98 21 88008676
Poster Designed by Amirali Ghasemi
Friday, November 14, 2008
Urban Jealousy in Berlin
The 1st International Roaming Biennial of Tehran, Berlin
20 Nov.2008 - 7 Dec. 2008
Urban Jealousy in Berlin
International Roaming Biennial of Tehran, curated and organized by Amirali Ghasemi and Serhat Koksal,chose Istanbul as its first station .The idea of this independent, low-budget exhibition started out both as a critique of the situation in Tehran, and of the international " Biennialization" and '' Gentrification '' process.
Featured works by artists from different countries from all around the world, selected from an open submission call, which
has had an overwhelming response.Berlin is it's 2nd station.
Saturday, October 25, 2008
Sideways in Tehran
with works and contributions from:
Atousa Bandeh Ghiasabadi
Nickel van Duijvenboden
How does a shift in the context of a piece of art influence its ability to be recognized and the validity of the work? How can art be judged from another culture? Is quality universal?
These questions are the starting point of the project Sideways.
Atousa Bandeh Ghiasabadi / Visual Artist/ Film Maker asked 5 artist and writers to research this questions and produce an artwork to be presented in two different exhibitions one in Tehran and in the Netherlands and finalized with a Publication(book).
Sideways in Tehran will literary replacing the context.
Bandeh being part of a minority group with a non-western background in the Netherlands often questioned the comprehensibility of her work by the western audience not familiar with her cultural history. Now she will reverse the process by exhibiting works of a group of artist in the context which is familiar to Bandeh but not to them. In this she hope to find out a more objective approach through her own experience but also through the experiences by participants of Sideways.
Katrin Korfmann / visual artist, living in Amsterdam, NL
Katrin Korfmann is analyzing the often-quoted ´magic moment´ of photography. Or we could say she plays with it. The time factor of the ´magic moment´ is stretched, deconstructed, duplicated and subsequently assembled.She observes places of daily life, humans and machines, stages of public space.
Finally the space and the experienced time at the location is documented en coded again to a location never experienced like this. The image is document and invention at the same time.
For the project sideways Korfmann relates to her hometown West-Berlin (Germany) and the change of the city since the wall came down. The photograph fast forward (Checkpoint Charlie) 145 x 253 cm is showing a crossing point between former East and West Berlin. 20 years after the cold war this spot is one of the most demanded tourist attractions of the city. Fake American and Russian soldiers play theatre there. They sell visas with stamps and are bargaining over original gasmasks and GDR flags.
For money one can pose with the soldier to get the most wanted holiday snapshot.
The monument of the cold war becomes a funny game. A busy movement, a film set, where visitors try to catch the spectacular moments of German history.
Sara Blokland / visual artist
Her works often explores the representation of the concept of family, exploring the confusion and ambiguity between the personal and impersonal. As a artist she interested in deconstructing the exotic subject, and reconstructing new ones. Her photographic images challenge the exotic presumptions of the dominant culture. How is the exotic part of the representation of the Western artist in the search for a ‘’original view’ and understanding the subject..In two short films ‘’Brother’’ and ‘’Roos’’, she will reflect on photography as a ''exotic'' object and incorporating the personal experience of one viewer and photographer.
Nickel van Duijvenboden Photographer/writer turned from photography to writing and is operating in the grey area between visual art and literature. He uses his experiences as a former member of a punk band as a point of departure for a short fiction — punk being a highly idealistic, non-conformist subculture which is supposedly Western (or is it?). In Teheran, he will combine photographs with a text about one particular aspect of his experiences."
Bassam Chekhes (Syria, 1965) Film Maker graduated from audiovisual department at the rietveld academy and mainly is making short films.The subjects of his films are related to his personal surrounding and have a direct contact with his own experience, as if they are a dairy or a biography.He prefers to work with different images as the starting elements for his films rather than text or a complete script, and to experiment the relation between the subject of the film and the related form that finally get."
Tina Rahimy philosopher researching at Erasmus university Rotterdam
Her research will focus on the choice of literature as a form of expression. Why do strangers, like refugees choose to write, why do they choose language of the host country? Language, the most demanding element, the crown witness of our alienation, not only in its content but also in its form. Do these writers however believe in the deficiency of their speech, or rather acknowledge the hesitation in and of a language as and characteristic element of any speech?
Sideways is sponsored by Visual Arts, Architecture & Design fund Netherlands Fonds BKVB
The exhibition is organized & curated by Amirali Ghasemi
Sideways project is a project by Atousa Bandeh Ghiasabadi Artist/Filmmaker Intendant for Cultural Diversity, Sideways started in 2007 and will be finalized by presenting a book and an exhibition in the Netherlands in 2009.
Poster is designed by Behrad Javanbakht for Parkingallery Studio.
Saturday, June 14, 2008
20-25 June 2008
Performance Hours: 18-20
Opening: Friday June 20th:16-20
Azad Art Gallery
No 41,Salmas Sq. Golha Sq. Tehran,Iran|
Tel: +98 21 88008676
Soheil Peyghambari / Clarinet
Daryoush Azadpour / Violin Alireza Favakehi / Violin
Shahriar Khansari / Viola
Alireza Mahammadinia/ Cello
Mohammad Javad Safari / Keyboard
Poster designed by
Amirali Ghasemi for
Friday, May 09, 2008
Saturday, April 26, 2008
Monday, March 24, 2008
the 1st International Roaming Biennial of Tehran
30th May - 6th July 2008
Curated by Serhat koksal and Amirali Ghasemi
Download the Application in WORD documents here (Choose Your Langugae)
Farsi, French, English and Turkish
Dead line: Monday 21st of April 2008
The theme of this biennial is URBAN JEALOUSY. A Jalousie * (“jealousy” in French) is a window that one can see through but not be seen; barriers that allow us to observe the world without being invited to the table. Iranian artists are given an understanding of what goes on in the world without being offered a single opportunity to communicate their thoughts—outside of our very own jalousie window: a rigid ethnic frame within an extremely politicized context.
Of all the huge urban areas around the world, Tehran stands out as a different kind of Megalopolis. It boasts one of the most dynamic art scenes in the Middle East even as the city itself deals with a rudimentary public transport system, an exploding population crisis, and an ever-increasing sprawl of mass housing; An unsightly city of experimental architecture that swallows entire villages and towns without offering them any sort of public services.
Despite its complicated urban situation—which according to experts has already spiraled out of control—artists’ societies in Tehran continue to hold numerous biennials in semi-tribal fashion. A great number of these events are government-sponsored projects whose outlook and also their premises can shift 180 degrees from one year to the next. Each community has its own set of ceremonies, as a result of which, any sense of solidarity among the artists is lost.
The Tehran Visual Arts Festival, The Calligraphy Biennial, The Sculpture Biennial, The Cartoon Biennial, The Painting Biennial of the Islamic World, The Graphic Design Biennial, The Children’s Books Illustration Biennial, The Painting Biennial, The Poster Biennial, The Poster Biennial of the Islamic World… the list is endless.
Although the legendary "TEHRAN BIENNIAL" goes back 50 years, not a single one of the above-mentioned events can be considered a biennial by prevailing and accepted international standards". An arts society recently published a call to boycott the upcoming Painting Biennial in order to demand a professionally curated exhibition, protesting the open call process and a “jury” they deemed unacceptable.
It seems impossible to have a proper Tehran biennial in Tehran, so our sprawling city and its elitist art scene remain excluded from the highly competitive art market in the region despite being surrounded from all sides by lucrative biennials and auctions. We may have great artists living and working in Iran, but we don’t have a chance to share the profits.
Tehran, as one may suppose, does not seem interested in presenting itself as a desirable destination for cultural tourism, by playing it ‘cool’ like other global cities, or scramble to be hip by coughing up the membership dues to be in the international art market.
So, to jumpstart the process, and after a long discussion with my friend, Serhat Koksal — a critic of the global biennialization process — we decided to curate a ‘mini’, on the move, Tehran biennial. To not only stop complaining about the current situation but to benefit from the advantages of it. An independent, low- budget, traveling exhibition which can be presented almost anywhere. We will travel like nomads, carrying artwork, objects, texts, and whatever, in a package no bigger than a medium-sized suitcase, preferably weighing less than 20 Kg., so it can be carried on any cheap flight.
Urban Jealousy will end its journey in May 2010,but Tehran’s Roaming Biennial will carry on.Feb 2008
Saturday, March 08, 2008
Do philosophers poud in bed? Or do they invent there great ideas about the world outside, just before falling asleep, covered with stakes of books and papers?
Philosophy is pure thought. Clean, abstract, bodyless.
Beds, on the contrary, are very specific. Our journey into the world starts in a bed, and it mostly ends there when we die. We relax our tired bodies, hide, sleep and dream in the bed. Here, it seems, we are the most reduced to our physical existence. The bed is our most personal place.
The German artist Gloria Zein has put these two worlds, the bed and philosophy, in a relationship: For more than two years she has interviewed international philosophers about their thoughts around the bed – in order to dedicate an individual object to each of them. Ten “beds” representing this ongoing investigation can now be viewed at the Iranian Artists’ Forum, alongside drawings, photographs and texts. Her inventions range from the metaphorical to the poetic and humorous.
We would like to cordially invite you to the opening of
“philosophers’ beds/bedding philosophers”
Mirmiran Art Gallery at the Iranian Artists’ Forum
Sunday, March 9th 2008
17:00 to 20:30
The artist as well as Simon Farid O’Liai, Iranian philosopher participating in Zein’s project, will be present at the opening.
The exhibition will run until March 13th. Daily visiting hours 14:00 to 20:00.
Poster Designed by Amirali Ghasemi